Today, the 33-year-old Swedish director Daniel Espinosa is little known outside of Hollywood studio bosses and talents who have seen his crime drama Snabba Cash (Easy Money), which hasn't had a release as yet in American movie theatres. But with the arrival of his Safe House (released today in the United States), a tense, stylish and well acted thriller, Espinosa is sure to be on the A-list in no time.Some viewers might find the new film toplining Denzel Washington, 56, and a much younger Ryan Reynolds (Green Lantern, Buried) a bit bleak and too violent, especially at the end. And in places, the narration is confusing, and you get the feeling there are too many things happening. And, yet, it is one of the most thrilling mainstream movies seen in recent weeks and could do well worldwide.
It could open at No 1 across North America this weekend, though The Vow, targeted mostly at women, could lead the box-office pack. A Valentine Day weepie starring Rachael McAdams and Channing Tatum, The Vow tells a story inspired by real life events. A young married couple sees their lives come to a terrible pass as an accident leaves Paige (180 is a cliche) with amnesia. Leo (Tatum) starts the seemingly impossible task of starting a new relationship with her.But back to Safe House. Here is yet another example of the director of a small film landing a big Hollywood film, and coming out with flying colours, as did such film makers as George Lucas and Steven Spielberg with their second films. Snabba Cash was made for less than $4 million while Safe House, the first English-language film Espinosa has made, cost at least $80 million.
Espinosa did not see the David Guggenheim script purely as an octane-filled thriller but as a drama of inner demons and elusive inner redemption.'I liked that it had a strong pace and was almost a classic American cowboy story,' he said in an interview. 'It's almost like the reverse story from (the Clint Eastwood-directed) Unforgiven. You have the old gunslinger who's been corrupted by the nature of his work and the world around him. Then you have the young guy that believes that he can maintain the sensation of adventure and ethics. There are morals within that world. The old guy sees himself in this kid.'
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